"INTERVIEWER
In Number9Dream, you have a description of a gangster who has a voice “as thirsty as sandpaper.” He has “cavernous eye sockets, plump lips, mottled and flaky skin—the sort used on young actors playing old roles—and a wart on the corner of his eye bigger than an amorous nipple.”MITCHELL
Good God!INTERVIEWER
You don’t like it?MITCHELL
I’m not sure. Am I guilty of Orwell’s criticism of Dickens’s fabulous gargoyles, that they make for rotten architecture? “His voice is as thirsty as sandpaper.” I think that’s from David Bowie’s description of Bob Dylan’s voice, a voice like sand and glue. Cavernous is the right word, at least. It has whiffs of cadaverous. Plump lips is OK too—the ps go pop: plump lips. The stuff about the makeup used on young actors playing old roles works. The makeup always looks wrong, doesn’t it? An amorous nipple is too pleased with itself. That’s writing, I suppose—dozens of decisions about what’s in, what’s out, what goes with what, what’s clever but not honest, what’s so honest that it’s a truism, what’s meretricious—and all just to produce one short sketch."If you're on the Paris Review site they have a really awesome archive of all their "Art of " interviews over the years, scrolling through the last decades I already see a number I wanna read right now: Paul Auster, Joan Didion, Ian McEwan, Murakami, Ishiguro... etc. And there's 5 more decades worth. Goldmine!
COOL SITE
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